Cine Lens Wiki - by Duclos Lenses https://mail.cinelenswiki.com/ 2026-04-18T08:52:34+00:00 https://mail.cinelenswiki.com/ https://mail.cinelenswiki.com/_media/wiki:logo.svg text/html 2026-04-17T22:14:36+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp3100mmt2.4?rev=1776464076&do=diff Cooke SP3 100mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T22:14:19+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp375mmt2.4?rev=1776464059&do=diff Cooke SP3 75mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T22:14:01+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp350mmt2.4?rev=1776464041&do=diff Cooke SP3 50mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T22:13:45+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp332mmt2.4?rev=1776464025&do=diff Cooke SP3 32mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T22:13:03+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp318mmt2.4?rev=1776463983&do=diff Cooke SP3 18mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T22:12:48+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:cookesp325mmt2.4?rev=1776463968&do=diff Cooke SP3 25mm T2.4 Summary Cooke SP3 is an exciting new prime lens series based on one of the most influential lenses in film history, Speed Panchro™. SP3 is a completely new design optimized – optically and mechanically – for full-frame mirrorless cameras which will enable more creatives to enhance the visual narrative of their stories. text/html 2026-04-17T17:50:19+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:angenieuxoptimo28-76mmt2.6?rev=1776448219&do=diff Angénieux Optimo 28-76mm T2.6 Summary Tech Specs Manufacturer Angénieux Series Optimo Model - Focal Length 28-76mm Zoom Ratio 2.7x Max Aperture T2.6 Min Aperture T22 Format Super 35 Image Circle text/html 2026-04-17T17:49:53+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:angenieuxoptimodp_rouge16-42mmt2.8?rev=1776448193&do=diff Angénieux Optimo DP Rouge 16-42mm T2.8 Summary Tech Specs Manufacturer Angénieux Series Optimo Model DP Rouge Focal Length 16-42mm Zoom Ratio 2.7x Max Aperture T2.8 Min Aperture T22 Format Super 35 Image Circle text/html 2026-04-17T17:49:35+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:angenieuxoptimo15-40mmt2.6?rev=1776448175&do=diff Angénieux Optimo 15-40mm T2.6 Summary Tech Specs Manufacturer Angénieux Series Optimo Model - Focal Length 15-40mm Zoom Ratio 2.7x Max Aperture T2.6 Min Aperture T22 Format Super 35 Image Circle text/html 2026-04-17T13:51:01+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:nisi65prime16mmt2.9?rev=1776433861&do=diff NiSi 65 Prime 16mm T2.9 Summary The NiSi 65 PRIME 16mm T2.9 is a large-format cinema prime lens designed for directors of photography and cinematographers who demand maximum coverage, optical precision, and creative latitude. Built for modern large-format digital cinema cameras including the ARRI ALEXA 65/265 and FUJIFILM GFX ETERNA 55, this lens delivers a sweeping ultra-wide perspective with sharpness and aberration control that holds across the entire large image circle. text/html 2026-04-17T13:49:57+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3A1776349133_1964203.jpg&ns=lens&rev=1776433797&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:1776349133_1964203.jpg?w=500&amp;h=500&amp;tok=1884a5" alt="1776349133_1964203.jpg" loading="lazy" width="500" height="500" /> text/html 2026-04-17T13:45:54+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/mfg:nisi?rev=1776433554&do=diff Company Summary NiSi Company Website: <https://en.nisioptics.com/> Duclos Page: N/A Chinese optical accessory company that entered the stills and cine lenses market in addition to filter accessories. ---------- Lens Models Cine Lenses 65 Prime NiSi 65 Prime 16mm T2.9 F3 NiSi F3 25mm T2.1 NiSi F3 35mm T2.0 NiSi F3 50mm T2.0 NiSi F3 75mm T2.0 NiSi F3 100mm T2.0 Athena text/html 2026-04-16T18:21:33+00:00 Laura Garvey (laura.g@undisclosed.example.com) https://mail.cinelenswiki.com/lens:irixcine45mmt1.5?rev=1776363693&do=diff Irix Cine 45mm T1.5 Summary Available in black or white (see media section below) Tech Specs Manufacturer Irix Series Cine Model - Focal Length 45mm Max Aperture T1.5 Min Aperture T22 Format Full Frame Image Circle text/html 2026-04-16T15:21:59+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:angenieuxoptimo-45-120mmt2.8?rev=1776352919&do=diff Angénieux Optimo 45-120mm T2.8 Summary Tech Specs Manufacturer Angénieux Series Zoom Model Optimo Focal Length 45-120mm Zoom Ratio 2.7x Max Aperture T2.8 Min Aperture T22 Format Academy 35 Image Circle text/html 2026-04-15T20:44:03+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:angenieuxoptimo-28-340mmt3.2?rev=1776285843&do=diff Angénieux Optimo 28-340mm T3.2 Summary Tech Specs Manufacturer Angénieux Series Optimo Model - Focal Length 28-340mm Zoom Ratio 12x Max Aperture T3.2 Min Aperture T22 Format Super 35 Image Circle text/html 2026-04-15T16:15:09+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkmhx65mmt1.9?rev=1776269709&do=diff Vantage Film Hawk MHX 65mm T1.9 Summary Hawk MHX lenses deliver the power of anamorphic while avoiding the limitations of traditional 2x squeeze. They offer super-close focus – almost like macro lenses – with no breathing while focusing. Hawk MHX primes are geometrically well-corrected, yet still preserve classic anamorphic characteristics such as elliptical bokeh and shallow depth of field, resulting in an organic cinematic feel. Hawk MHX lenses deliver their full optical power to new, larg… text/html 2026-04-15T16:14:30+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkvantage_one_pu50mmt1?rev=1776269670&do=diff Vantage Film Hawk VantageOne PU 50mm T1 Summary Ultra fast T1 close focus prime lenses containing three looks. At T4, T2.8 and T2, Vantage One lenses can give cinematographers the flawless look other modern lenses produce, but with superior image illumination. And they offer additional versatility at other stops. At T1.4, the results are a bit more forgiving, yet still extremely good, and at T1, Vantage One lenses lend the image a lovely, subtle creaminess, perfect for skin tones. text/html 2026-04-15T16:14:04+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkvantage_one32mmt1?rev=1776269644&do=diff Vantage Film Hawk VantageOne 32mm T1 Summary Ultra fast T1 close focus prime lenses containing three looks. At T4, T2.8 and T2, Vantage One lenses can give cinematographers the flawless look other modern lenses produce, but with superior image illumination. And they offer additional versatility at other stops. At T1.4, the results are a bit more forgiving, yet still extremely good, and at T1, Vantage One lenses lend the image a lovely, subtle creaminess, perfect for skin tones. text/html 2026-04-15T16:13:48+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3Ahawk-vantageone-32mm.png&ns=lens&rev=1776269628&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:hawk-vantageone-32mm.png?w=500&amp;h=500&amp;tok=9a8593" alt="hawk-vantageone-32mm.png" loading="lazy" width="500" height="500" /> text/html 2026-04-15T16:11:32+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkvantage_one14.5mmt1?rev=1776269492&do=diff Vantage Film Hawk VantageOne 14.5mm T1 Summary Ultra fast T1 close focus prime lenses containing three looks. At T4, T2.8 and T2, Vantage One lenses can give cinematographers the flawless look other modern lenses produce, but with superior image illumination. And they offer additional versatility at other stops. At T1.4, the results are a bit more forgiving, yet still extremely good, and at T1, Vantage One lenses lend the image a lovely, subtle creaminess, perfect for skin tones. text/html 2026-04-15T16:10:33+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawk65_vintage_7445mmt2.6?rev=1776269433&do=diff Vantage Film Hawk65 Vintage '74 45mm T2.6 Summary The smart 1.3x squeeze offers an array of benefits and options. With large 24×36 mm sensors, for example, 1.3x produces the increasingly popular aspect ratio of 2:1 while making full use of the sensor’s area and resolution. A slight top / bottom crop produces widescreen ratios like 2.4:1. Meanwhile, an ingenious patented Iris Shaping System produces bokeh similar to that of a 2x squeeze for classic anamorphic flavor. text/html 2026-04-15T16:09:36+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3Ahawk-vlite16-35mm.jpg&ns=lens&rev=1776269376&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:hawk-vlite16-35mm.jpg?w=500&amp;h=500&amp;tok=4bd802" alt="hawk-vlite16-35mm.jpg" loading="lazy" width="500" height="500" /> text/html 2026-04-15T16:09:06+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkv-lite_1635mmt1.5?rev=1776269346&do=diff Vantage Film Hawk V-Lite16 35mm T1.5 Summary T1.5 high speed ‘Scope lenses for 16 mm. Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts. text/html 2026-04-15T16:08:53+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3Ahawk-vlite16-28mm.jpg&ns=lens&rev=1776269333&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:hawk-vlite16-28mm.jpg?w=500&amp;h=500&amp;tok=1fe0f8" alt="hawk-vlite16-28mm.jpg" loading="lazy" width="500" height="500" /> text/html 2026-04-15T16:08:22+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkv-lite_1628mmt1.5?rev=1776269302&do=diff Vantage Film Hawk V-Lite16 28mm T1.5 Summary T1.5 high speed ‘Scope lenses for 16 mm. Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts. text/html 2026-04-15T16:08:01+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3Ahawk-vlite16-24mm.jpg&ns=lens&rev=1776269281&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:hawk-vlite16-24mm.jpg?w=500&amp;h=500&amp;tok=e38487" alt="hawk-vlite16-24mm.jpg" loading="lazy" width="500" height="500" /> text/html 2026-04-15T16:07:18+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkv-lite_1624mmt1.5?rev=1776269238&do=diff Vantage Film Hawk V-Lite16 24mm T1.5 Summary T1.5 high speed ‘Scope lenses for 16 mm. Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts. text/html 2026-04-15T16:07:06+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkv-lite_1618mmt1.5?rev=1776269226&do=diff Vantage Film Hawk V-Lite16 18mm T1.5 Summary T1.5 high speed ‘Scope lenses for 16 mm. Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts. text/html 2026-04-15T16:06:49+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/?image=lens%3Ahawk-vlite16-14mm.jpg&ns=lens&rev=1776269209&tab_details=history&media_do=diff&do=media <img src="https://mail.cinelenswiki.com/_media/lens:hawk-vlite16-14mm.jpg?w=500&amp;h=500&amp;tok=22d2d6" alt="hawk-vlite16-14mm.jpg" loading="lazy" width="500" height="500" /> text/html 2026-04-15T16:06:16+00:00 Justin Rhoads (justin.r@undisclosed.example.com) https://mail.cinelenswiki.com/lens:vantage_filmhawkv-lite_1614mmt1.5?rev=1776269176&do=diff Vantage Film Hawk V-Lite16 14mm T1.5 Summary T1.5 high speed ‘Scope lenses for 16 mm. Hawk V‑Lite16 anamorphics are smaller than most spherical lenses on the market. Still, they offer the same stunning performance as all Hawk anamorphics. Finally, cinematographers and camera operators have the opportunity to work with small S16 lenses that are just as good as their 35 mm counterparts.